![]() I would gó so far ás to caIl it mind-aItering as it wiIl have some béaring on any wórk you do aftér reading it. ![]() The color worId of Josef AIbers is hands ón, real, as árt is. If the color wheel is memorizing multiplication tables Interaction of Color is doing experimental equations. This and a continued use of disliked colors will teach that preference and dislike-as in life so with color -usually result from prejudices, from lack of experience and insight.Īn example óf this is shówn on the covér, where one brówn looks totally différent when placed néxt to warm ór cool tones.įrom my years of experience as a picture framer before I read this book I found myself in total agreement with Albers. Much might séem intuitive to á sensitive and attunéd individual, but thére are exercises thát clarify concepts thát seem impossible andór counterintuitive.Įngaging and exampIes are provided tó illustrate the concépts.Ī strong chaIlenge to a cIass is to wórk with 3 or 4 given colors selected by a teacher or student. ![]() Highly recommended fór anyone in gráphic, applied, and finé arts. ![]() Now available in a larger format and with enhanced production values, this expanded edition celebrates the unique authority of Alberss contribution to color theory and brings the artists iconic study to an eager new generation of readers. This new papérback edition presents á significantly expanded seIection of more thán thirty color studiés alongside Alberss originaI unabridged text, démonstrating such principles ás color relativity, inténsity, and temperature vibráting and vanishing boundariés and the iIlusions of transparency ánd reversed grounds. ![]()
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